Grocery Store Jamz

Go on, girl. Groove through them aisles.
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.38 Special

—Hold On Loosely

The very origins my relationship with my ex-boyfriend grew out of our mutual love of skronky-psych metal, but we never really jelled until one night this came on in his van while we were both still a little buzzed on Lone Life and American Spirit Menthols and both of us turned to each other and said, all jinx-ies, “I don’t know how to tell you this, but I fucking love .38 Special.”

billy joel - it’s still rock & roll to me


all hail the king of bellyaching popstars! this is his first number one single and a reaction to the state of the music industry at the time of it’s recording. apparently,
mr. joel’s handlers at the record company thought he needed to keep pace with the upstart rockers of the day, completely forgetting the fact that they were working with billy fucking joel. alas, it appears his nails are too well-manicured to adequately dig into the flesh of someone to whom he feels the need to make a point. the sentiments are flaccid, the beat is too up-tempo and jaunty, and i can’t help but feel a strain of fellow perennial square bob seger running through this, which is never a good thing. i much prefer his late career shift where he began drunkenly taking his frustrations out on random objects on the side of the road with his car. that, and attila.

-steven, former grocery store clerk

The first time I realized my dad may be wrong  about some things is when I was nine and Erasure’s Chains of Love came on KYIS.FM and my dad literally just switched off the radio and said, “UGH.” Now, I did grow up in semi-rural Oklahoma, but my father is no redneck, gay-hatin’ hick. He wasn’t like “OH, LIKE BDSM. NOT IN FRONT OF MY DAUGHTER!” He’s a liberal, R.E.M lovin’ lawyer who just likes cheap land. He just hates dance music. A month later he did the same thing to “Bizarre Love Triangle,” and I was officially on alert: Dad’s way wrong about pop music.

When I lived in Chicago, I went out almost weekly to sing karaoke at an under-attended bar called the Jackhammer (by the by, if you’re in Rogers Park - it’s TUESDAYS and say hello to Mark the Bartender who Put Up With Me.) with my friend J.J. I would stick to crowdpleasers - Billy Ocean, “Mr. Brightside,” and JJ, ever versitile, vacilated between “Bugaboo” and Donna Fargo without skipping a beat. Once we sang “No Air” to everyone’s confiusion and pretty much only our own delight - I mean, JESUS, the TRILLING on that song! We always had running lists of songs to do in our heads and one night a stranger -total stranger! Out of nowhere started laying in on “A Little Respect.” Now. What. The. Fuck. That song is out of everyone’s range. It’s a vocal DYNAMITE piece that if it wasn’t so gay would be featured in every Judges Pick The Songs in American Idol. But the guy did fine! And JJ and I shrunk into our Bend Me Over Daddies or whatever Mango vodka was on the cheap that night and knew we’d been bested - for now.

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The Pointer Sisters

—Fire

The Pointer Sisters - Fire (1978)

I feel like songs that have been on Glee are automatically excluded from GSJz, sort of like how all songs from The Big Chill are exempt from High Fidelity’s Top 5 lists, but A) Fuck you, this is The Pointer Sisters. They very happily listed themselves when asked by Rolling Stone to list their top ten favorite singers of all time and I like that kind of swagger.  B) I have never finished an episode of Glee because I was the prop mistress for my high school’s theatre department and you know what, oh, GIRRRRLLLL, the headaches you asshole theatre kids can cause. I only know “Fire” was on there because I like to read recaps of shows I hate. And C) Hey, did you know this is a Springsteen cover?

I know, it makes total sense, right? Fire, cars unfulfilled yearning, poorly worded lyrics about, “Let’s not talk about the boner in the room, I mean, Chevy.”

INXS - Don’t Change (1982)

An ultimate crime in life’s pacing is that you can’t just close out a relationship. I mean, they end, sure, but they always meander - from just a wee bit (awkward encounter in the grocery store 14 months later: “Someone told me you moved?!”) the drawn fucking out (“Oh, but I haaaaave to meet him for drinks. He still has some of my records and we’re still friends!”). Fuck that, I want a cinematic close. I want to grab my soulful hunk, draw him close for a final kiss (because, really, you mean a lot to me. Which is why I must go!), then jump into the back of an awaiting pick-up truck driven by guest star Tom Petty (but his character’s name is Dingo) where the Eno synths of “Don’t Change” begin to swell and the guitars then burst wide open as the tears and locks of loose hair stream around my face in the wind as we pull away. “Don’t change!” I mouth. It’s a promise of return, unless something better comes along for both of us and in that case we will never ever see each other again, up to and including never being tagged in the same two year old party photo on Facebook. Don’t change, don’t look back. Christ, I love this song.

—meredith

tom petty & the heartbreakers - don’t come around here no more

not only is this song a delicious slice of roots rock-cum-psychedelic new wave cake, it also doubles as a juicy piece of 80’s music-related celebrity gossip. a collaboration with the eurythmic that’s not annie lennox, it’s apparently about a tryst he had with stevie nicks that culminated in her dumping then love interest don henley and uttering the song’s titular line. i vote “yes” for any song that implicitly humiliates a member of the eagles. fuck them. and kudos to you, guy from the eurythmics, for having sex with stevie nicks and giving me another reason to smugly mock don henley.

-steven, actual grocery store cashier

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Trouble - Lindsey Buckingham (1984)

“Trouble” is, according to iTunes, my favoritest most-played song ever. I have made friends over this song, and not like, a bar buddy who bought me a Rolling Rock or whatever over our love of REM’s “Orange Crush,” but dear, life-long friends. It’s no secret that I am obsessed with the Mac. I’ve gone to casinos to see Lindsey, I own Rumours and Tusk in four formats each, I’ve had entire birthday parties spent in gay karaoke bars where every guest could only sing Fleetwood group or solo songs

(You should have seen “Tusk.” The stomping was just invigorating. The only other time I’ve had that much fun onstage was when my friend Lee and I sang All-American Reject’s “Give You Hell” to a bunch of 16 year old girls who decided to hang out in a bar called The Jackhammer of al idiotic things and who gladly filled in the verses for us. We were their Pete Wentzes that night. But I digress.)

(LINDSEY’S SUCH A BABE. OMG)

This kid is handling the vocals waaaaaaaaaaay better than I did, but that’s not saying a whole fucking lot. I’m a little crept when the kid says “It’s been so long since somebody’s touched me,” too but the mid-eighties were a time of innocence. Really!!

Or judging by 6 out of 10 dudes in the Floating V here, maybe not! Renowned session musicians are not known, by and large, for their bitchin’ style. But look at Mac Fleetwood leanin’ all tall and sexy over his kit. Watching this video was the first time where I kinda got why Stevie fooled around with him in the first place. Also hunt down Mac’s autobiography in any large public library - he’s the epitome of cheerful, story-telling, bawdy, hard-drinkin’ British rocker. So fun!

—megglespie

Eddie Money featuring Ronnie Spector - Take Me Home Tonight

Two moments in this video fall into the list of Top 1000 things of all time according to Me:

#432:  At 0:55: Eddie does the best choreographed heart thump through parachute jacket this side of Bel Biv Devoe. And the prop buildup before hand, I mean, the ladder! Throwing away those sunglasses! And don’t even get me started how Ronnie just fucking PUT OUT HER CIGARETTE IN THE CARPET. Probably because it looks likes the Rochester Bank One Auditorium staff forgot to put any food, make up or indeed anything at all in her green room.

I love that he looks like a blowsier Rod Stewart. I also love that he and Kevin James are BFF. Like, if I made a successful sitcom and reaped in over $100 million dollars for a movie about a Blart, I wouldn’t try to make buds with Matt Damon or Julianne Moore or whatever. Nah, I’d probably just beg for The Pointer Sisters and Dave Foley to come over for pesto and beer.

#880: At 2:07 WHERE THE HELL DID THAT SAXOPHONE COME FROM?????? I thought that stage was just ladder, dramatically thrown down sunglasses, hair and Money.

I had to watch this video several times and still go through old Ronnie Spector photos to make sure that is her bangin’ bod all finger snapping and shimmying past that deaf janitor. No disrespect, Ms. Veronica! Eddie doesn’t have a bad hip swivel himself.

True story: I never paid attention to this song when it came on 80s Dance Mix infomercials because I was too kewl. Fortunately, sophomore year of high school, Atom and His Package’s “Punk Rock Academy.” made me a believer in throwing dance parties and demanding that someone please, please Take Me Home Tonight. You won’t regret it, I swear. (Well, this video, yes, you might. But I need to make my point.)

I do regret that Ronnie’s dress has those white side panels though.

merry x-mas

—megglespie

PS: How can I resist these smiles? Enjoy.

Best Party Ever

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Benny Mardones - “Into the Night” (1980)

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Apparently this song hit the Billboard 100’s Top 20, twice, first in 1980 and then again in 1989. It’s popularity was reignited by a radio DJ in Arizona who ran a “Where are They Now” show. After re-airing the song, shit blew up all over again. I’m not surprised cause this song is pure satin sleaze. It’s all wrap-around Oakleys at night, on the face of some smarmy, brooding, club sleazer.  Dirtbag is trying to win homegirls heart in the back of a limo replete with chandelier, and fountain flowing wtih sparkling rosé. GIVE ME BACK MY DREAM!

BONUS! cover by my pal Party Time 2000:

http://www.sendspace.com/file/9vht3l

kittheths,

g

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Christopher Cross feat. Michael McDonald - “Ride Like the Wind” (1980)

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